The Netflix original series, Making a Murderer, is making quite a splash across the globe. Moira Demos and Laura Ricciardi’s documentary, that took ten years and complete immersion into the community to film is currently one of the most controversial documentaries. From Reddit to News reports to the Anonymous hacktivist group it’s hard to shy away from the blaring show of support and anger this documentary has stirred up.
Tarantino’s Death Proof is a film with two intense acts. It’s a dialogue- packed, blood- splatter horror with a re-watch-ability that guarantees the same thrill every time you watch it.
Death Proof is often considered as Tarantino’s worst film and I cannot see why. It’s full to the brim with great imagery and while it has a whole load of Tarantino’s obsessions present (there’s no shortage of feet here), that doesn’t mean this film is weak. Yeah, it revolves around ‘hot babes’ partying and drug taking but behind that the film is ultimately a feminist piece- or at the very least pro- woman. In placing women in central roles Tarantino does quite a good job at representing these characters pretty fairly- every now and then they fall into an unfortunate stereotype but considering Death Proof often feels like it’s on the edge of being a parody or homage to earlier exploitation horror flicks then I’ll let that pass.
Visually it’s kind of strange, with a grainy film filter covering the screen and a weird moment of black and white right it the middle we could easily be fooled into thinking this film was made in the 70’s (even though it’s not)- but it kind of works. With bright colors and bold sets that jump out the screen in every other scene the filter acts as a buffer for our senses.
As this film comes to a close we’re treated to what I assume was about twenty minutes of an all- out intense car case, and I loved every minute of it. There’s no amazingly clever premise or ‘wow I can’t believe that’ twist behind Death Proof, it’s simply a silly, fun, intense horror flick that Tarantino succeeds in making an exciting watch.
Manson Family Vacation is surprisingly funny and heartfelt. This charming film takes us along with two brothers on their bonding session- that just so happens to include the Charles Manson murder sites. After Nick (Jay Duplass) gets a long overdue visit from his wayward brother, Conrad (Linas Phillips), the film perfectly sets itself up for a charming but worrying brother dynamic. Jay Duplass is perfect in the lead role of this drama- comedy. In fact the off- beat humor in this film reminded me of another small- scale drama- horror film, Creep, staring Jay Duplass’s brother, Mark Duplass. See the trailer here.
However if the reveal towards the end was supposed to be a twist then it didn’t work for me, I figured it out very early on. Still, it was an engaging watch as the film beats forward at a steady pace and makes you feel exactly what you should, when you should.
Ultimately the film ends up in the place it felt like it was going, but not in a negative way. The end is satisfying as we hear exactly what these brothers needed to say to each other.
Available from Saturday 10th October on Netflix UK
Directors Jemaine Clement and Taika Waititi (who also star in the film) parody the vampire genre in this clever mockumentary piece, What we do in the Shadows. It’s not an easy thing to do, just take 2010 film Vampires Suck- it’s just the ticket to see an example of a failed vampire parody.
What we do in the Shadows runs with its rather simple premise to mock the over- popularised vampire film to the fullest extent, succeeding in every aspect to deliver a truly enjoyable film. As we meander through the lives of four vampire flat mates some could say that the films pace is, well, rather slow; however this perfectly fits with the humor as we watch the everyday antics that occur when living with other people- only vampire style. Even the poorly delivered accents only add to the charm of this film and ultimately I was laughing out loud more than once.