Month: January 2016

Docurary- New Release Review- Aileen Wuornos: The Selling of a Serial Killer, 1993

Available from the 1st January on Netflix UK

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At times Aileen Wuornos: The Selling of a Serial Killer seems to be more about the struggles of making a documentary when surrounded by difficult people than about what is ultimately a tragic, crazy story about a woman who turned to murder. While Broomfield’s documentary is interesting- and never boring- it’s also nothing new when it comes to true crime docs. The most interesting moments are when we are shown what it’s really like to make a documentary and the struggles film makers face when talking to people who, well, just don’t want to talk.

Aileen Wuornos was somewhat a media headliner after being dubbed Americas first female serial killer. If this isn’t already enough of a story Nick Broomfield is forced to abandon the usual role of ‘watcher’ and dive head first in his attempts to interview the people surrounding this story- including Wournos herself. At times we watch uncomfortably as Broomfield argues and becomes impatient with his interviewees who seem less than willing to help out (despite being paid for their time!). It’s very raw, it’s very real, and it’s very interesting from the angle of the making of a documentary.

The Selling of a Serial Killer focuses on Wuornos who while working as a prostitute killed only her male clients and at the time of her arrest (and while committing these horrific crimes) was in a relationship with a woman. Things start to get crazier when a Christian woman adopts her. Arlene Pralle, now the mother of Wournos, comes across as a fascinatingly fake character and Broomfield makes no attempt to make her appear genuine. We see what’s there, and what’s there is undeniably troublesome. Finally we have Steve Glazer a guitar wielding lawyer/Pralle’s agent (?) who has the weirdest advert for his services- they can only be described as looking like they’ve been stolen from Saul Goodman. Together Pralle and Glazer seem to be in it for the money, between press deals and demanding money to be part of Broomfield’s documentary the whole thing is rather shady.

While Broomfield’s documentary breaks no new ground in terms of story telling or with documentary as a genre it’s still an interesting watch. It’s an up close look at people, a journey into the reality of corruption, betrayal, and crime.

2.5/ 5

New Release Review- Big Trouble in Little China, 1986

Available from the 1st January on Netflix UK

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Everybody knows I love John Carpenter and Big Trouble in Little China is not Carpenters best film, but it is an action comedy jammed full of fun. Before watching Big Trouble in Little China the only Carpenter films I’d seen had been very much seated in the horror genre. BUT despite not being the type of horror film I know Carpenter for the whole thing is drenched in his style.

Trucker Jack Burton (Kurt Russell- who also starred in Tarantino’s Death Proof available on Netflix UK) agrees to pick up his friend Wang Chi’s (Dennis Dun) fiance at the airport with him. Of course things don’t go to plan and we delve into a fantasy adventure where good an evil collide. See, the evil sorcerer Lo Pan must marry a girl with emerald eyes to regain his physical form – and unfortunately for Wang Chi, his fiance, and Jack Burton, she is a beautiful women with emerald green eyes.

It’s great fun, with superb pacing, and some truly memorable costume design and characters. There’s even some weird supernatural monsters in the mix. You know, cause it’s awesome- and they look awesome, but what else would you expect from Carpenter? He’s know for his special- effects movies.

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Ultimately Big Trouble in Little China is an easy going movie, the type of movie you can just get enjoyment out of without diving too deep into anything. It looks great, it feels great and it’s never boring- go watch it!!!!

5/5

Docu-rary 2016 – Making a Murderer- What is it? and why you should watch it.

Available now on Netflix

The Netflix original series, Making a Murderer, is making quite a splash across the globe. Moira Demos and Laura Ricciardi’s documentary, that took ten years and complete immersion into the community to film is currently one of the most controversial documentaries. From Reddit to News reports to the Anonymous hacktivist group it’s hard to shy away from the blaring show of support and anger this documentary has stirred up.

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